Skin pack by Rhoek.com
skin design by rhoek.com
skin design by rhoek.com
skin design by Rhoek.com
Login | Register
Thursday, November 20, 2008  Search
container skin by rhoek.com
design by rhoek.com
design by rhoek.com
design by rhoek.com
.netspheres blogs
design by rhoek.com
design by rhoek.com
design by rhoek.com
container skin by rhoek.com
design by rhoek.com
design by rhoek.com
design by rhoek.com
Releases
BARTON: DON'T STOP (DARK)
BARTON: DON'T STOP (LIGHT)
MANNY WARD: THE CYCLE
BARTON: To Call My Own (Right Shift)
BARTON: To Call My Own (Left Shift)
MANNY WARD: U II Feel
BARTON: Take Me Up (SEPIA)
BARTON: Take Me Up
BARTON: TONIGHT (GREEN)
BARTON: TONIGHT (RED)

 or download from iTunes:

iTunes


Download iTunes
design by rhoek.com
design by rhoek.com
design by rhoek.com
container skin by rhoek.com
design by rhoek.com
design by rhoek.com
design by rhoek.com
Hide and Seek – Imogen Heap
Location: Blogsbarton's aggregated blogbarton's music blog    
Posted by: barton 8/19/2007

Some songs are deeply personal and yet address experiences we all go through, creating an environment for the listener to experience their own feelings intensely. Imogen Heap’s “Hide and Seek” is one of these. It is a song about a person involved in a moment in time where she becomes aware that someone else is breaking up with her, apparently brought on by a decision from the other person.


We start in Imogen’s head asking “Where are we?”, as if waking from a dream, hearing her voice in a mixed with a vocoder, with thoughts of disorientation and the key line “sinking feeling”. Whether we heard all of the words or not, if we heard that phrase, it is something we can all identify with.


Her incredible sense of description, blending metaphors of movement with a sense of awareness that something completely personal is happening within a larger world where this one event is completely invisible. There is also a beautiful reference to the way we makes things, like “trains and sewing machines” more important than our “blood and tears”, but ultimately recognize that it is the latter which is the source of our experience.


The transition toward the end where she is actually speaking to the other person who is rejecting her is even more powerful. When she acknowledges to the other person that they “only meant well”, giving the benefit of the doubt, so beautifully reveals a lovely character of grace while simultaneously showing an anger and powerful assertiveness, reminding the other person that they “decided this” along with an increased tempo and slightly different melody than the rest of the song, bringing it to a climax. We then retreat back into Imogen’s head, where she is clearly hurt, where she makes an assortment of observations that whatever the other person is saying is of little value and that they “don’t care a bit”.


Most listeners will not take the time or trouble to look at the song in this depth, but instead will simply enjoy the way in which the simple vocal presentation with ever-present vocoding adds an element of emotional context, as if the melodic portion of the vocoder is simply an emotional extension of her own words.


Few songs give me goosebumps and cause tears well up in my eyes. What a beautiful work of art this is.
 

design by rhoek.com
design by rhoek.com
design by rhoek.com
container skin by rhoek.com
design by rhoek.com
design by rhoek.com
design by rhoek.com
.netspheres blogs
design by rhoek.com
design by rhoek.com
design by rhoek.com
container skin by rhoek.com
design by rhoek.com
design by rhoek.com
design by rhoek.com
.netspheres blogs
design by rhoek.com
design by rhoek.com
design by rhoek.com
container skin by rhoek.com
design by rhoek.com
design by rhoek.com
design by rhoek.com
.netspheres
design by rhoek.com
design by rhoek.com
design by rhoek.com
skin design by rhoek.com
Terms Of Use | Copyright 2002-2007 .netspheres. All rights reserved. | .netspheres
skin design by Rhoek.com
skin design by rhoek.com